Old-school cool: "The Follies"

I got my first copy of the NARD solo book in high school, from a friend who was giving up drumming and gave me his old copy. Forty-two years later, that very same copy sits on my music stand. Since returning to rudimental drumming several years ago, I have returned to the solos in this book for pure pleasure. Each solo, written in the 1920's or 30's by a champion rudimental drummer and fouding member of NARD (National Association of Rudimental Drummers), is a little gem showcasing one or more of the original twenty-six drum rudiments. They provide plenty of inspiration for intermediate drummers and a solid challenge for more experienced players as well. The NARD book is legendary amount rudimental snare drummers; our answer to the Arbans trumpet book or Schirmer's edition of Italian art song for singers. It's a classic.

Still at home and on partial bed rest following eye surgery, I used some of my upright time this week to work up a solo from the book, "The Follies" by Jack Lynehan. It's deceptively simple to play, but timing -- and sticking -- are left up to the p;layer. There are no stickings indicated, meaning that you have to be familiar enough with traditional rudimentsl drumming to know which stickings make the most sense, and how many strokes to play in a roll (based on how fast you want to play it, and how clean your rolls are).

I had fun working this one up at a reasonable tempo today. As I tell myself regularly: Clean now, fast comes later.

When I was learning how to play, there were twenty-six officially recognized rudiments, keys to mastering the unique sounds and techniques of the snare drum. Today, thanks in large part to the influence of the modern Marching Arts, that list has expanded to forty rudiments (as codified by the Percussive Arts Society in the 1980s). Many of these are variations or expansions on the first twenty-six and others are licks best played on high-tension (Kevlar) heads. Strung together, these newer rudiments help to make up a growing library of technically demanding solo pieces whose musicality is often hard to discern by the untrained ear.

The beauty of these old-school solos is that, though they're still challenging, they have a musicality that is easy to hear and follow, with phrases and motives that make for satisfying pieces of music as well as technical training exercises. And that's why I never tire of diving into drum music from this earlier era. Because it's musical as well as technical.

Nearly ninety years after its first printing,  The NARD book is still in print and available through multiple online outlets. And it's worth every penny. If you're not familiar with this book, get a copy and have fun with it.
Happy Chopping!

wilcoxon rudimental challenge 2019

A tip o' the hat to Kevin Lehman for setting up the Wilcoxon Rudimental Challenge on Facebook.
Rudimental drummers from around the world are posting videos of themselves playing one of the solos from the seminal collection "All-American Drummer: 150 Rudimental Solos" by Charley Wilcoxon.

This book is filled with intermediate to advanced rudimental solos that assume a knowledge of at least the first thirteen traditional drum rudiments (based on the 26 original rudiments as designated by the founders of NARD back in the 1930s -- NOT the 40 rudiments designated much later by Percussive Arts Society).

I wasn't challenged to join the group by another drummer, so I worked up a solo of my choice, joined the group and tossed my hat in the ring. It took several days to work up the solo to a reasonable temp, and another hour to play it through several times with the repeat without screwing up, before I felt ready to make a video of myself. Then it took another ten takes or so to get a clean take from start to finish. Even then, it was hairy going, and I could've done the end of the repeat better; but it was fun to challenge myself like this.

I'll totally do it again very soon.

(Here's my attempt for posterity, played in the new drum which still needs some gradual fine-tuning and tightening over the next week or so. NOTE: I chose to play the rolls timed and wide open, rather than to rush the drags and risk blowing the timing and tempo. It's an individual choice, and up to each drummer what to do with the rolls.)

Enjoy! And if you think you'd like to give this a try, contact Kevin Lehman at the Facebook group to learn more. The group has grown rapidly so that there are now a few repeats of solos but that's probably not a huge deal if most of the solos in the book are spoken for. Check with Kevin.

If you don't own this book, it's available at multiple book stores, including Powell's Books in Portland, and also from Reverb online.

Here's Solo No. 1 if you're so inclined to dive into the collection. I think it's worth owning a copy of the whole collection. Happy drumming!