I began collecting practice pads in earnest over a decade ago.
I got into pads because they were easier to store than vintage drums, and they were more affordable by far.
They were also more challenging — more fun — to research, because so little was known about various companies and makers in detail.
Then, during the pandemic, I started writing about my research, and my collection.
People began taking notice, and I was invited to be a guest on a drum podcast.
Somewhere between my beginning to go down the serious pad rabbit hole and the time I spoke on that podcast, more people got into collecting pads. A serious subgroup got into collecting marching-specific pads from the 1990s and early 2000s.
Predictably, prices began to creep up.
Today, RealFeel tan rubber pads in good condition fetch between $150 and $200 on eBay and Reverb.
Early pads from Xymox — the rubber pads, before they got into laminated pads — can easily go for $100 and up depending on condition and branding.
Today, this showed up on Reverb.
It’s a Xymox pad, licensed and rebranded by Vic Firth and made for a little while in the early 2000s.
Now it’s rare and hard to find, and priced accordingly.
But is this really accordingly? Is it appropriate?
It’s a practice pad. Alan of wood with a slab of rubber on top, something to practice on quietly so you won’t bother the neighbors, and portable so you can take it anywhere.
New, it cost around $25-30.
Now someone wants $300 for one.
And that is where I have to draw the line, and where I wonder what on earth I’m doing in this anymore.
I collect pads because I got into the history of their design and development. I like comparing different pads of a similar design. I didn’t collect pads so I could hang onto them and flip them for astronomical sums two years later. I have bought pads cheap and sold them for a profit, but not at astronomical prices. And usually after I went to the trouble of cleaning them up a bit so they’d be more playable for the next owner. But these sellers are offering used pads for five to ten times what they sold for new.
I have to admit it’s bumming me out to see the market for something almost negligible four years ago into something that’s became as dear as a vintage Ludwig snare drum.
Maybe I’ll feel differently tomorrow. I’m not sure.
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